Monday, March 7, 2011

Booze infused food

Thinking of a new way to change my ordinary sunday brunch, I started searching for options. I found The Brooklyn Booze Experiment. A culinary competition held in the Bell House in Brooklyn, wich by the way is a great place with high ceilings, wood beams and vintage gold chandeliers. It seems like a great place for indie concerts.

So after waking up in a rainy sunday, took a cab and arrived to the Bell House. I really didin´t know what to expect, but I like the informal style and the type of event, bringing to a competition the best home chefs to show their abilities, with a theme "Booze".  So as the name of the event says, they have to create a dish inspired by booze, either wine, rum, beer, cognac, whatever they choose and the goal, to win the competition. So about 18 diferent chefs made their creation.
My first impresion was really the worst organizacion ever, it took me 40 minutes in line to start tasting the first dish: pescado veracruzano with tequila, then I continued with other small tastings, braised beef with cognac, chicken tacos with rum, brownies with mezcal frosting and other things which were not of my entire taste, and thankfully I found the plate which made the trip worth it, the Torta Ahogada, a mexican pork sandwich (braised pork with tequila, this time) mayo, onions, lime and red chilli sauce, I added an extra touch of valentina, wich is a great mexican chilli sauce by the way, made me smile and get out of there happy.

Sunday, March 6, 2011

RECIPE BASED STORY SAMPLE FROM ISLANDS MAGAZINE

Taste: The Sweetest Memories

For the author, Trinidad's mithai treats taste like childhood

"Just eat it," my father says, watching me as I gingerly nibble the little orange ball. He shakes his head. It is 1979, and I am 11 years old. We have come from a Hindu prayer meeting in his hometown of Chaguanas, Trinidad, site of the now-famous Hindu celebration of Diwali Nagar. I am sweating in my stiff sundress with the crinoline skirt that every- one has admired; my brother is equally turned out in a suit, a testament to my father's success in America. I shuffle behind my father in the blistering-hot street as I pick suspiciously at the sweet treat.

The ball is firm and sticky, with just enough sugar, and some taste I can't identify -- something minty and familiar. Later I'll learn the spice is cardamom. But for now, a new world has opened up to me, a world of mithai, the Hindu name for sweets. Made from local sugar cane, they are served up in prodigious quantities every Diwali in late October or early November.

Returning to Trinidad now as a chef, I find myself in my ancestral homeland once again, on the eve of what was once my Trinidadian father's favorite holiday. Before I leave, I must satisfy my craving for mithai, for sugar is what largely informs our palates here on this island. But could those childhood memories of sugary treats and holiday-inspired generosity be as sweet for me today?

It is an inextricable part of our Indian heritage -- my father's and mine. My great grandfather, like so many other Indians, arrived here in the 19th century to labor in the cane fields. The white gold they mined was largely bound for England and America, but come Diwali, the precious stuff was plentiful in Indian homes.

Though I can find the pastries anywhere, I am bound for Débé, a once sleepy backwater where residents have earned a reputation as master mithai makers. To feed a once-thriving sugar economy, over the years Débé locals set up small stands selling traditional pastries, cookies and sweets as well as "doubles," sandwiches of spicy chickpeas and fried dough. It is a city built upon the fortunes of sugar.
My sentimental sweet tooth sends me on nearly a full day's travel into southwestern Trinidad, where Débé lies not far from Icacos Point, about seven miles from Venezuela. Though the day is rainy, cars throng the highway. Like me, these people know the goodies in Débé will be piled high because Diwali is coming.

This is our best chance to taste the threefold holiday: at once a devotion to Lakshmi, goddess of prosperity; the New Year; and the triumph of good over evil. While he was growing up, my father waited eagerly for Diwali, when fellow Hindus gave trays of mithai away, and there was no shame in taking them. It was a Hindu rite rather than an act of charity, a respite from the desperate poverty in which he was raised. Even as an adult, the thought of it left him longing for his tropical home as the leaves outside our window raged in a blast of orange and red against the sooty New York City sky.

Turning off the highway toward the center of Débé, I see Diwali preparations have started. Towers of diyas, traditional clay lamps, are stacked in the yards, waiting to be filled with coconut oil and placed on elaborate displays. The displays were simpler in my father's time, but he loved them nonetheless.
"The diyas were so pretty, burning on the steps of the houses, in the balconies or along the roadside," he used to say, smiling, holding his hand up, forming a little cup with his fingers. "They were like little stars in the pitch black night."

I get out of my car and find a vendor whose small table is piled high with an assortment of mithai in gallon jars with tightly fitted lids. There are golab jamun (mahogany-colored balls of fried cottage cheese doused in sugar syrup) and ladoo (deep-yellow orbs of toasted chickpea flour, sweetened and essenced with cardamom). Barfi squares -- made from coconut flakes, pistachio or almond, sugar spices and milk -- are stacked like so many pretty tiles in alternating colors of pink, orange and light green.

All are virtually unchanged from the original Indian recipes brought from India by our ancestors more than 150 years ago. They're balanced with the Trini creations I find here, too, like kulma and chip chip: dough sticks and coconut sugar cakes.

I buy jalebi first, a fritter of yeasty dough swirled through hot oil, fried crisp then dipped in sugar syrup. My father made these for us, and we'd gobble them while they were too hot, burning our fingers and tongues. This time, though, I nibble a jalebi ever so delicately. It is still crisp under the wash of mouth-puckering sugar syrup, and I close my eyes to savor the heady taste that carries me back through years of Diwali celebrations.

When I open them again, I see a little boy of 10 or 11. He is barefoot and his T-shirt dirty. He's toting bags of sour plums as he weaves through the crowd. "Plums, salt plums!" he calls out, largely ignored, trying to compete with established pastry-mongers for their sweet-toothed clientele.

I beckon him over, and the child smiles. I buy some plums and tell him to keep the change, which he carefully puts in his pocket. He walks on, the bag hoisted on his shoulder, his knees knobby on thin legs, his thick, black hair standing up away from his head -- so similar to my father's childhood photo. I imagine the boy taking the money he just earned to buy himself a jalebi or golab jamun, the sticky syrup making his fingers tacky and coating his tongue as he relishes the taste of a treat well-earned.

Diwali Dessert Recipe

This flavor of Trinidad is sure to satisfy your sweet tooth
This popular dessert is made to celebrate the Diwali festival on Trinidad, but it's sold by street vendors year-round. Look for this and other Trinidadian recipes in Sweet Hands: Island Cooking From Trinidad And Tobago (Hippocrene Cookbook Library) by ISLANDS contributor Ramin Ganeshram.

Miss Mattie's Kulma
  • 2 cups flour
  • 1 cup white sugar
  • 4 tablespoons butter
  • 1/2 teaspoon cinnamon
  • 1 cup vegetable oil
  • 1 teaspoon mixed essence (available in Indian markets) or vanilla
1. Mix butter and flour together and knead well. It will form a hard dough.
2. Heat a heavy-bottomed skillet on a low heat, meanwhile and roll out dough to 1/4 inch thickness. Place the dough on the skilled and cook for about 1 minute. Turn once and cook 1 minute more. 3.  Remove and cut into lengthwise strips about 1/2 inch wide. Cut each strip into 3 inch sections an set aside.
4. Heat oil in a 1 quart saucepan until a pinch of flour dropped into the pan sizzles. Add dough strips and fry until brown and remove.
5. Place sugar, cinnamon, and mixed essence or vanilla a pot with 1/2 cup of water. Boil, stirring often, until sugar melts. Simmer until becomes a thick syrup then add dough sticks and toss well. Pour into a heat-proof container to cool.

"Is It? What Is It?" Gay Bunny Beet Down...

I'm with you, gentle reader, I don't know what the hell it is either. It came into my kitchen in a white bag with a few other produce items. A red pepper, some sweet potatoes and something I was thinking of as little, retarded potatoes, but I'm now fairly certain is ginger.
Tonally the composition had a nice, beige-y winter tone, the plastic deli bag lending it a bit of ghetto Edward Weston street cred. It sat out on my kitchen counter for several days as I tried to suss what it was and what the hell I could do with it.

As luck would have it, I bumped into Niama the next day at lunch. She was there when I got the mystery item--in the world of animal, vegetable, mineral, I had pretty much deduced veggie--and I explained my assignment to her: to write about a food item being as descriptive as possible as if the person reading had never tasted it. She nodded serenely. "I'm thinking winter root vegetable," I said. She nodded serenely again.

The day after bumping into Niama, I saw my nutritionist, Sarah. She was much stricter vis-a-vis confirm or deny. "I'm thinking of boiling it," I tell her. "That would be wise for any vegetable," comes her koan-like reply. "How long?" I ask, a little desperate now. She frowns. She doesn't want to give it away, but suggests 40 minutes, which is great advice because I would have maxed at ten, but then I'm over eager to figure out what the hell this thing is. I tell her I suspect it's a rutabaga. She sniffs.

The night before my first food writing assignment is due, I decide to at least wash it. I'm with Jose Eber when it comes to food prep. "Wash it like a lettuce leaf," was always the cowboy-hatted, pony-tailed wonder's hair mantra, avoiding shampoo at all costs, light years ahead of the Bushwick, no-shower movement. I tend to think all that schmutz covering this brown orb most probably has some pretty good nutritional value, but as I run it under some warm water--okay, full confession, pretending it's Jacklyn Smith's scalp--I notice a deep purple tone has been uncovered on the flesh.

I'm somewhere between Audrey Tautou's cryptologist in The Da Vinci Code and Stockard Channing when she smacked the top of the Sistine Chapel in Six Degrees.
This color is a major clue, as are the bright maroon and green sprouts coming off the top of the vegetable. I decide on chunky cut slices and as soon as the cleaver halves the mystery item, it's game over. The inside is a rich, deep red, like something out of a Vermeer painting, striated with silvery white circles likes the rings inside a tree.

It's a beet. I know it instantly. First off, there's that signature beet stank. In an effort to better describe it, I find google links to people comparing it to cat pee and even an Erin Brockovich-y website dedicated to closing down a local sugar beet factory, or at least the large ponds the factory has set up to collect wastewater for the stinky, beet processing. I'm a little disappointed that my Audrey Tautou moment has been cut short due to the crimson riot going on inside the beet. I get briefly distracted making an Aretha Franklin-esque church hat for Mr. Gay Bunny, but it ends tragically when her face becomes streaked with beet juice and she just winds up looking like a hard-partying, Versace model with a coke-induced nosebleed.

Think, think…stink. I've actually never tasted a beet, I've always thought they were kind of gross. My grandmother used to mix the beet juice with hard boiled, deviled eggs as if the sharp beet odor simply weren't enough for her. I always used to pass on this particularly noxious concoction at family dinners and have maybe in my adult life had some beet cubes tossed into fancy salads, but there was a lot more going on in those dishes and, really, who wants to be the one picking beet cubes out of the rocket. How will that person be invited back?

Okay, cut to the chase, now that I know it's a beet, I get to it. It's probably too soon, but I fish one out of the wok and onto some white china. Even before I slice into it, the juice has begun to stain the plate. I slice though the disc with a knife and am surprised by how easily it yields. I was expecting it to still be a little tough and stringy, but the biggest surprise is when it hits my tongue and how sweet it is. The sweetness dissipates a bit and an after-taste I can only describe as "beety" lingers on the palate. I fish out the rest of the chunky discs and will cube them up for a fancy salad later.

But the wheels are still spinning. Most of the beet recipes I googled suggest boiling in more or less the same manner, but almost all recommend collecting the beet water that remains. Slightly worried about my neighbors forming an Erin Brockovich-led collation to stamp out the decaying beet juice wafting out from under my door, I pour the just-boiled concoction into a silver pitcher and put it in the fridge. I'm thinking sustainable Easter eggs, crunchy tie-die, an eggplant hair rinse that would probably end badly, like and the prom scene from Carrie, but then it comes to me: a cocktail!

Of course, a beet juice and lemon vodka! Why the hell not? The Breslin at the Ace Hotel has interpreted this trend into pretty tasty, chilled Jameson and pickle juice shooters they call The Pickle Back. I'd been experimenting on the Russian variation--those crazy Ruskies love a pickle as chaser with chilled vodka shots--as a signature cocktail for a friend of mine who's recently starting doing a drag character called Pickles. Just as the pickle brine offset the bite of the vodka, I expected the sweetness of the beet juice to also mellow the citrus vodka. Plus, how pretty it will be?

So I chopped some ice, added some citrus vodka and then crushed in some sea salt before I garnished. Sea salt? "Whu-whuuut?" Yes, sea salt. And it worked. The result was a mouthful. Very vodka, but with subtle underpinnings of salted beet. I liked it. Mr. Gay Bunny liked it. We both fell down. Now we just needed a name. Vodka Beet Down, anyone? Delicious!

Saturday, March 5, 2011

SPRING 2011 SYLLABUS



Food Writing Syllabus
Monday 6:45pm-9:05, Begins, 
Feb 28
10 Sessions—No class March 14, April 12
Instructor: Ramin Ganeshram   


Welcome!

I’m pleased to have you join me in this food writing class where you will work on completing a story worthy of professional publication and learn how to pitch that story to publications.
In order to make this the best possible—and most effective—experience for everyone in the class there are few things I’d like you to keep in mind:

Come prepared! A big part of our class is discussing our work and giving valid and constructive criticism. Having work to share is therefore essential. Please complete your assignments and be prepared to discuss them with the class. There will also be short in-class assignments, which we will discuss in workshop format as well.

Blog! For the purposes of this class I have created a blog at niblescribl.blogspot.com. Each of you will be given permission to write on the blog, please post often and make comments on others’ posts. Some assignments, such as the restaurant review, will be posted to the blog. You will find that I will post articles and sites of interest on the blog as well as certain samples—such as a pitch letter—there as well.  The blog is an important part of our class so make sure to check in and often.

Turning in assignments: I prefer to edit your stories in Track Changes in Microsoft Word. This both saves paper and creates a good record for you to follow your progress. Please file your assignments to me two days before class via email at ramin@nibblescribble.com. Please also make sure to bring a hard copy of your assignment for you to read aloud in class and to take notes upon.

A Final Word: Please stay in contact with me and your classmates—you’ll have a richer experience. I understand that life comes up and you might miss a class here and there, but let me know and I’ll work with you. I believe that acquiring a new skill can be an engaging and entertaining process, even while we do the work. Keeping me in the loop about your progress, concerns, and scheduling issues if they arise, will ensure a rich classroom experience.


Session 1:–ENTRE INTO THE DESCRIPTIVE PROCESS

a) In-class assignment---50 words
b) Introduction
c) Discussion/lecture on description an observation techniques
d) Explanation of take home assignment


Session 2: Recipe writing—THE RECIPE BASED STORY


a) In class assignment---write a recipe
b) Discussion/lecture/dissection
c) Sharing/critiques of assignment from 10/4
e) Explanation of take home assignment: Story Supporting recipe


Resources & Suggested Readings:
1. The Recipe Writer’s Handbook by Barbara Gibbs Ostmann and Jan Baker
2. Oregon State U Recipe Development: http://food.oregonstate.edu/prodev/rc_write.html
3. Dianne Jacob’s 7 Most Common Recipe Writing Errors: http://diannej.com/blog/2010/05/7-most-common-recipe-writing-errors/
4. Sample of recipe based story follows.






Session 3: Going Deeper
a) Workshop and breakdown story
b) Discussion/lecture on outlining a story
c)    In class assignment: begin rough outline
d)    Take home assignment: Complete and elaborate on outline for story


Session 4: Interview techniques

a) Workshop and critique outline
b) Discussion/lecture of food essays/memoirs and other food stories
c) The Interview—interview a classmate and write a short piece in class.
c) Assignment: Rewrite your story in 150 words


Resources:
From The Poynter Institute

1) Interviewing: The Forgotten Skill http://www.poynter.org/column.asp?id=36&aid=37661

Session 5:—Interview techniques, the big leagues
a) Workshop story
b) Guest Lecturer TBA
d) Assignment: Write a story from interview with guest speaker, 300 words; 2nd draft of story,

Resources and samples at niblscribl.blogspot.com

Session 6:—The Pitch
a)     Pitching techniques
b)    Work shop 2nd draft
c)     Workshop interview story
d)    Assignment: 2nd Draft of story, 1st draft pitch letter

Session 7:—Refining the pitch

a) Workshop pitch letter
b) Discuss possible venues
c) Workshop 2nd story draft

Session 8: THE FOOD REVIEW
a)     Discuss the qualities of a food review
b)    Visit a food locale for the purpose of reviewing
c)     Assignment: Write food review, post on class blog
d)    Fine tune story and pitch letter


Session 9:
a) Discuss food review further
b) Workshop final story draft

Session 10:—Nibbles and Next Steps
Please bring a nosh or nibble, ideally indicative of your story to the class. We’ll chow down while we discuss any final questions or thoughts on our work.
a)     Final class discussion of stories
b)    Open Forum

Foodie/Archie...

Hey Y'all,

Is anyone else doing the AD Home Design Show next weekend on Pier 94? It's fairly easier to arrange a press credential here:

http://www.martreg.com/reg/adhds/adhds.cfm
(just do the second to last Press/Media option on the Other Info pulldown box.)

I'm thinking about going Sunday on the early side to catch the Bar Basque dude. Here are all of the foodie happenings at the show:

Friday, March 18th:
12–1p.m.: Eataly, David Pasternack
1–2p.m.: North Square Restaurant & Lounge, Yoel Cruz
3–4p.m.: The Meatball Shop, Daniel Holzman

Saturday, March 19th:
12–1p.m.: Bella Cucina Artful Food, Alisa Barry
1–2p.m.: PRINT., Heather Carlucci Rodriguez
3–4p.m.: Make My Cake Bakery, Aliyyah Baylor
5–6p.m.: Aquavit, Marcus Jernmark

Sunday, March 20th:
12–1p.m.: Junoon, Vikas Khanna
1–2p.m.: Bar Basque, Yuki Fujinaga
3–4p.m.: The Cupcake Craze, Nicole Frida
5–6p.m.: 1770 House, Kevin Penner

ADMISSION
Thursday, March 17 – Trade Preview

Friday, March 18-Sunday, March 20 – Open to the public
$25 ticket also includes admission to:
• DIFFA’s DINING BY DESIGN table viewing at Pier 94
• THE ARTIST PROJECT NEW YORK, new at the adjacent Pier 92.

Special preview ticket also available for Thursday’s opening day.
Purchase Tickets online and receive a one-year subscription to Architectural Digest.

Keep an eye out for the Show brochure in this Sunday’s New York Times.

Friday, March 4, 2011

Boozy B.K.

Hey Y'all,

Thought folks might be interested in this Brooklyn Booze Experiment on Sunday. Here are the deets from Paper Mag:

SUNDAY, MARCH 6
THE BROOKLYN BOOZE EXPERIMENT AT THE BELL HOUSE
A culinary contest of epic proportions, the Brooklyn Booze Experiment, from cook-off kings Theo Peck and Nick Suarez, pits some of the city's finest chefs against one another in a battle to create the best booze-inspired dish. Alcoholic whip creams, baba au rhum, and buzz-inducing braised meats are just some of the potential offerings. And in true cook-off fashion, the audience, partnered with a group of professional judges, will determine the champion. So bring your appetites and not your car-it's gonna get sloppy. And if you haven't had enough of the cook-off's edible intoxication, stick around for the after-party sponsored by Buffalo Trace Bourbon!
Bell House, 149 7th St., (718) 643-6510. 1-6 p.m. $20.

Thursday, January 6, 2011

Edible Conversations: New Reading Series

Title: Curry: The Spicy Story of the World's Most Popular Dish

Speaker: Colleen Sen

Location: Roger Smith Hotel, 501 Lexington at 47th St., New York

Description: Although curry had its origins on the Indian Subcontinent
(where, ironically, the word was not widely used until recently), it has
become global food par excellence. Its many incarnations include the
elegant, curries of Thailand; the exuberant curry/rotis of the Caribbean;
kari/raisu, Japan's favorite comfort food; South African bunny chow;
Indonesian gulais and rendang;  British pub food and balti cuisine;
Norwegian curried herring on toast; German currywurst; even
Punjabi-Mexican-California pizza.  Colleen Taylor Sen will discuss the
origins of this popular dish (while debunking some myths about Indian
food), explain how and why it spread so far and wide, and speculate on the
reasons for its continuing popularity.

Speaker’s bio: Chicago-based food historian Colleen Taylor Sen writes
about the cuisine of the Indian Subcontinent. She is the author of the
books  Food Culture in India (2004); Curry: A Global History (2009);  and
Pakoras, Paneer, Pappadums: A Guide to Indian Restaurant Menus (2010).
Her articles on travel, food and restaurants have appeared in Travel and
Leisure, Food Arts, Chicago Sun Times, Chicago Tribune,  Toronto Globe and
Mail, and the proceedings of the Oxford Food Symposia.  She is currently
writing a history of Indian food.

Cost: $45, which includes curry dishes and a copy of Curry: A Global History

To register, go to: http://www.eventbrite.com/event/1101965007




Future Edible Conversations include:

February 4, 2011; A Conversation with Amanda Hesser; Speaker: Amanda Hesser

February 28, 2011; One Big Table: A Portrait of American Cooking; Speaker:
Molly O’Neill

March 5, 2011; Whiskey: What It Is and How It Came to Be; Speaker: Kevin
R. Kosar

April 4, 2011; How the Lowly Spud Changed the World; Speaker: Andrew F. Smith

May 1, 2011; Spices: A Change Agent in World History; Speaker: Fred Czarra

May 16, 2011; Our Love Affair With Lobster:  First You Scorned Me Now You
Love Me? Speaker: Elisabeth Townsend

June 6, 2011; From Tallahassee to Tokyo: The Scoop on Ice Cream's Global
Allure; Speaker: Laura Weiss